Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap.

The Fantastic Journey was an American science fiction television series that was originally aired on NBC from February 3 through June 17, 1977.

Set in the near future, two aspiring astrophysicists control the fate of their human-like drone MARGOT while exploring the exoplanet Astor.

At the end of the Shang dynasty of ancient China, Emperor Shou defied the will of the Gods. He openly declared to lead the people and to resist against the gods. Zi Shou bravely fought against Tian Kui but only received laughter from the gods watching from above. He was then killed by Tian (another greater god) and broke the Immortal Phoenix armor. Wu Geng woke up in the body Ah Gou and realized now he has a wife named Bai Cai...

A story of India's journey through the past, present, and future. Here, we learn how India has kept up with the modernity while remembering the integral traditions and cultures we possess. Come, join us on this journey as we travel through the story of food, faith, the leaders of the country, and more.

Janice is the subject of the town gossips for four reasons: she wears too much lipstick, her hair is too big, she is a single-mother and her two children are strange. Ray (6) is a hellraiser and Tony (9) is autistic. One day, however, Tony sits down at the piano and plays Twinkle Twinkle Little Star, and Janice knows there may be hope for him (and them) yet.

Yoko Asagiri is in love, but is afraid to confess her feelings so she writes a song to express her feelings. Much to her dismay, the love song she wrote acted as a bridge connecting the world in which she lived in to that of Earth's alternate world called "Ashanti." There, the ruler of that world wants her song so that he could use it to open a doorway to Yoko's world and conquer it with his armies. Using the artifacts left behind by the legendary warrior Leda who prophesized her arrival, Yoko and her newfound friends must stop the tyrant's ambition and return both worlds to their proper place and balance.

Gellert Grindelwald has escaped imprisonment and has begun gathering followers to his cause—elevating wizards above all non-magical beings. The only one capable of putting a stop to him is the wizard he once called his closest friend, Albus Dumbledore. However, Dumbledore will need to seek help from the wizard who had thwarted Grindelwald once before, his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

Professor Albus Dumbledore knows the powerful, dark wizard Gellert Grindelwald is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts magizoologist Newt Scamander to lead an intrepid team of wizards and witches. They soon encounter an array of old and new beasts as they clash with Grindelwald's growing legion of followers.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.